The explanations are organized by mode, and page. Explanations and other information on the effects and their parameters are also provided for each effect. Refer to this guide when an unfamiliar parameter appears in the display, or when you need to know more about a particular function. Conventions in this manual References to the TRITON STUDIO The TRITON STUDIO is available in 88-key, 76-key and 61key models, but both models are referred to without distinction in this manual as “the TRITON STUD

(5)Turn off any devices (such as keyboards) connected to the D32XD/D16XD’s inputs. When turning the power off, you must perform the shutdown process. Never turn off the main power switch or disconnect the power cable before shutdown has been completed. If you turn off the main power switch or disconnect the power cable before shutdown has been completed, data or user settings will be lost, and the hard disk may be damaged. The audio you record into the D32XD/D16XD and the mixer and effect settin

2 Introduction...................................... 3 Main features of version 2.0 ................... 3 KARMA function .............................................. 3 Sequencer mode .............................................. 4 Global mode ................................................... 4 Disk mode ....................................................... 4 Installing the system ................................ 4 Installing the software into the KARMA Music Workstation ..................

Let's start with the basics: - A Combination is a setup that combines 2 or more Programs, hence the name. - In Combination Edit Mode, you can change settings for a Combination. You can get to the Combination Edit Mode by pressing the COMBI button, then the EDIT button. You can move up and down through the various screens of this mode with the up and down directional buttons, located to the right of the screen. - A Combination has 8 Timbres, or areas that can hold a sound. - You can select one so

2: When the MIDI channel settings of the host application and the plug-in software are the same, proper control may not be available. Please change the MIDI channel setting on either the host application or the plug-in software. Please refer to the application’s manual for the correct setting 1: These operations will overwrite the previous MIDI Control settings. If necessary, back up the previous control Midi file. 2: When the MIDI channel settings of the host application and the plug-in softwar

Over 1000 sounds (780 pre-loaded) • Color TouchView Interface. Quick and intuitive - including on screen Help menus • TC-Helicon Vocal Effects + Four Stereo Effect Processors. UPGRADEABLE to include Pitch correction and Vocal Modeling! • Enhanced Style Functions – 608 Style locations (450 pre-loaded) Styles up to 32 bars long with 3 intros, 3 fills, 4 variations and 2 endings. Tap-Tempo, Reset & Fade in/out. • 16 Bit 48kHz Sampling with Auto Time Slice/Extend and more pro editing functions. Load

Knob [4] Control2: Balance [L63…CNT…R63] Sets the balance between the L channel ([AUDIO INPUT 1]) and R channel ([AUDIO INPUT 2]) jacks. For details on how to processing an external audio signal, refer to “Processing an external audio signal”(.p.29). When Knob [1] Wave: Saw, Pulse, Triangle, Sine and Knob [2] OSC1 Mod: Cross Knob [3] Control1: Modulation Depth [000…127] Adjusts the cross modulation depth. Knob [4] Control2: LFO 1 Intensity [000…127] Adjusts the depth of the additional modulation

and other countries. • Windows XP and Windows Vista are registered tra

The explanations are organized by mode, page, and tab. Explanations and other information on the effects and their parameters are also provided for each effect. Refer to this guide when an unfamiliar parameter appears in the display, or when you need to know more about a particular function. Conventions in this manual Abbreviations for the manuals BG, PG, VNL References to the manuals included with the TRITON Le are abbreviated as follows. BG: Basic Guide PG: Parameter Guide VNL: Voice Name List

Adding the Real-Time Parts While the STYLE will play up to eight backing parts, you can play up to four parts in real-time; three layered on the UPPER half of the keyboard, one on the LOWER portion of the keyboard. There are many advantages to having so many sounds on the upper half. For instance, a STYLE may layer a monophonic flute on top of a string section, and when you play above a certain velocity, an additional part of say, a concertina playing harmonies using the ensemble mode is introdu