Stimmen - 4, Durchschnittliche Bewertung: 4.3
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Anleitung Zusammenfassung
The explanations are organized by mode, and page. Explanations and other information on the effects and their parameters are also provided for each effect. Refer to this guide when an unfamiliar parameter appears in the display, or when you need to know more about a particular function. Conventions in this manual References to the TRITON STUDIO The TRITON STUDIO is available in 88-key, 76-key and 61key models, but both models are referred to without distinction in this manual as “the TRITON STUDIO.” Illustrations of the front and rear panels in this manual show the 61-key model, but the illustrations apply equally to the 88-key and 76-key models. Abbreviations for the manuals BG, PG, VNL References to the manuals included with the TRITON STUDIO are abbreviated as follows in this document. BG: Basic Guide PG: Parameter Guide VNL: Voice Name List Keys and knobs [ ] References to the switches, dials, and knobs on the TRITON STUDIO’s panel are enclosed in square brackets [ ]. References to buttons or tabs indicate objects in the LCD display screen. Parameters in the LCD display screen “ ” Parameters displayed in the LCD screen are enclosed in double quotation marks “ ”. Boldface type Parameter values are printed in boldface type. Content that is of particular importance is also printed in boldface type. Procedure steps 123... Steps in a procedure are listed as 123... p., – These indicate pages or parameter numbers to which you can refer. Symbols , , , , , These symbols respectively indicate cautions, advice, MIDI- related explanations, a parameter that can be selected as an alternate modulation source, a parameter that can be selected as a dynamic modulation source, and a parameter that can use the BPM/MIDI Sync function. Example screen displays The values of the parameters shown in the example screens of this manual are only for explanatory purposes, and may not necessary match the values that appear in the LCD screen of your instrument. MIDI-related explanations CC# is an abbreviation for Control Change Number. In explanations of MIDI messages, numbers in square brackets [ ] always indicate hexadecimal numbers. How to read the “Parameter Guide” (example) Page menu command No. Page No. Tab No. Tab name Parameter number Double. Here you can make settings for the OSC2 LFO1, which is the Parameter first LFO that can be applied to oscillator 2. (“5–1: OSC1 Program P5: Edit-Common LFO 5–1: OSC1 LFO1 ( ) 5–1 5–1a 5–1b 5–1c 5–1a: OSC1 LFO1 Waveform [Triangle 0…Random6 (Vector)] 5–1: Page Menu Command 0–1A 5–1A 5–1A: Swap LFO 1&2 Here you can make settings for the LFO that can be used to cyclically modulate the Pitch, Filter, and Amp of oscillators 1 and 2. There are two LFO units for each oscillator. By setting the LFO1 or LFO2 Intensity to a negative (–) value for Pitch, 2Press the OK button. 5–2: OSC1 LFO2 second LFO that can be applied to oscillator 1. (“5–1: OSC1 Mode name Filter, or Amp, you can invert the LFO waveform. Make settings for the “OSC1 LFO1,” which is the first LFO that can be used for oscillator 1. This command exchanges the settings of LFO1 and 2. If LFO2 has been selected as Frequency Modulation AMS1 or 2 of LFO1, that setting will be cancelled for LFO2 after the LFO1 and 2 settings have been exchanged. If this is selected from the OSC1 LFO1 or OSC1 LFO2 tab, the LFO1 and LFO2 of OSC1 will be exchanged. 1Select this command to open the dialog box. Here you can make settings for the OSC1 LFO2, which is the LFO1”) However in “Frequency Modulation” (5–1b), the LFO cannot be selected as a modulation source in “AMS1” or “AMS2.” 5–3: OSC2 LFO1 This can be used when “Oscillator Mode” (1–1a) is set to Page name Page menu command Page menu command name name Select the LFO waveform. LFO1”) Range of possible parameter values Table of Contents Table of Contents 1. Program mode. . . . . . . . . . . . .1 Program P0: Play ......................................... 1 Select and play programs. 0–1: Perf. Edit Select and play programs; use the Performance Editor for simple editing ... 1 0–2: Arpeggio Arpeggio pattern selection and settings .3 0–3: Sampling Perform sampling; make settings for audio inputs etc.......................................... 4 Program P1: Edit–Basic .................................. 7 Make basic oscillator settings and scale settings etc. 1–1: Program Basic Oscillator settings for Single/Double/ Drums, Poly/Mono, scale etc................... 7 1–2: OSC Basic Specify the multisample for oscillators 1 and 2 ............................................................ 9 1–3: Velo. Zone Velocity zone settings ............................. 11 1–4: Controller [SW1] and [SW2] key functions; REALTIME CONTROLS [1]–[4] knob B- mode functions ........................................ 12 Program P2: Edit–Pitch .................................12 Make pitch-related settings for oscillators 1 and 2. 2–1: OSC1 P.Mod Specify oscillator 1 pitch modulation via key position or controllers......................