5. Die Mindestabstande zwischen netzspannungsfuhrenden Teilen und Schaltungsteilen, die nicht mit dem Netz verbunden sind (sekundar), betragen 6 mm und sind unbedingt einzuhalten. 6. Spezielle Bauteile, die im Stromlaufplan mit dem Sicherheitssymbol gekennzeichnet sind, (Note) durfen nur durch Originalteile ersetzt werden. 7. Eigenmachtige Schaltungsanderungen durfen nicht vorgenommen werden. 8. Die am Reparaturort gultigen Schutzbestimmungen der Berufsgenossenschaften sind einzuhalten. Hierzu g

3 WICHTIGE SERVICEHINWEISE ....................... 3 BESCHREIBUNG ....................... 4 AUSPACKEN & GARANTIE ....................... 4 INSTALLATIONSHINWEISE ....................... 4 INPUT MONO ....................... 5 INPUT STEREO ....................... 8 FX 1/2 ....................... 10 AUX / MONO ....................... 12 MASTER ....................... 14 RUCKSEITE ....................... 16 AUFBAU EINER STANDARD PA ....................... 17 MASTER PATCHBAY ....................... 18

38. AUX3/4 POST As already previously described, this switch allows determining whether Pre- or Post-Fader signals are present at the AUX3/4 channel. The corresponding yellow LED signals when the switch is engaged and all input channel AUX3/4 controls are assigned post fader. 39. FEEDBACK FILTER The feedback filter is a very narrow banded notch filter, which is only active in a range that is extremely susceptible for acoustical feedback. The FEEDBACK filter rotary control sets the corresponding

A huge number of additional filters offers extremely flexible correction of the frequency response. Each input incorporates a 5-band equalizer, allowing to assign high and low-pass, high and low-shelving or parametric peak-dip filters to its individual filter sections. Next to the frequency crossover filters, four additional filters are employed in each output channel, which also can be set to work as high or low-pass, high or low-shelving filters, parametric peak-dip filters, or all-pass filter

The two 18-Bit digital processors offer a total of 198 high-quality effect combinations in well-known Dynacord-quality, but employing new 32-Bit algorithms. Pre Outs • Master A and B, Mono, subwoofer out with low-pass-filter, record send control • perfect headphones control via PFL/PGM/Mix (with specific 20 mm transition-fader Power Amplifier • 2 x 300 watts/4 Q • LpN-processor • Up to three 8 Q loudspeakers on a single channel • 7-Band graphic Master-EQ • Power Amp In Case • Lightweight (on

einen Aktivmonitor an. Der Pegel an dieser Buchse kann in einem weitem Bereich bis maximal +20 dBu uber den AUX 1/2-Fader geregelt werden. Die Ausgangsbeschaltung ist symmetrisch ausgefuhrt, um auch bei langen Leitungen einer etwaigen Brummeinstreuung entgegenzuwirken. Verwenden Sie moglichst symmetrische Kabel zum Anschluss von externen Komponenten. 39 - AUX POST-SCHALTER Wie bereits vorher beschrieben, wahlen Sie mit diesem Schalter aus, ob der AUX 1- bzw. AUX 2Kanal mit einem Pre- oder Post-F

It’s the Formula One of power mixers, so it’s hardly surprising that the PowerMate has won numerous awards and come out on top in countless comparative tests. But aside from its quality, it’s the fact that it matches perfectly the needs of its users that makes the PowerMate the outstanding solution for a wide range of professional sound reinforcement applications. Now, after many extraordinarily successful years, the PowerMate has undergone a metamorphosis from which it emerges, more powerful, m

-I .©■©©•©■©>©•© .«“* © •© Q © -Q ® -®_®- :: g r. 1 I m «• 0 — 0 ■**m ^-O Ö > Ô § MUTM R lOfTO fBSVNAOOWEr PftXIlfO W« BNM IM« Ml tm m tm- m •■ramaaaai I Ö §■ H äH 0 0 £ S ÏÉ Ö 0 0 o- UCM • • zu; CD ■TIM 0 e Bt:*r 9 • • 3E w ï Q PSX 1250 12/16 CHANNEL POWER MIXER IMPORTANT NOTES TABLE OF CONTENTS PSX1250-GENERAL OVERVIEW............................................ 3 INPUT/MONO............................................................................. A INPUT/STEREO..

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Input/Mono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Input/Stereo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Effekt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

0 dBV = 1 V rms. Peak Indicator Threshold: Line Input to Aux Send: 2. Power ratings are for each channel, -10 dBV (0.310 volts) at minimum gain 46 dB both operating, unless noted. Line Inputs, Mic Input to Line Output: 3. 120-volt ac line voltage. Number: 54 dB Power Output, Left and Right Master Six mono; two stereo Line Input to Line Output: Amplifiers, Type/Connector: 36 dB 4 Ohms: High impedance, unbalanced, Mic Input to Tape Record Output: 250 watts '/»-inch phone jacks 54 dB 8 Ohms