Follow these simple guidelines to ensure long life, cosmetic integrity and sonic dependability: 1. Always securely mount the component to a fiai surface using all mounting holes. 2. Never mount an audio component where loose objects can come in contact with it, 3. Never mount an amplifier under a mg, mat or carpet Remember, the better the ventilation, the cooler your amp will runl When mounting, do not use the amplifier as a drilling template. Use as a marking template, only. When mounting an a

Be sure to dip wires well away from the amplifier to avoid this possibility <§> INSTALLATION ADVISORY: The GFI-5200 Balanced Une driver needs to be pieced as close to the source unit as possible. The complete "Balanced Line System* will operate properly ONLY when the GFI-5200 is installed correctly. <$> OPERATION ADVISORY: Make sure the two sensitivity controls on the amplifiers are set fully clockwise. When matching the output of the source unit with the input of the amplifier, adjust the lev

Make sure the pin jumpers are all in the same position (all are high, or all ere tow). Connecting other brands of Balanced Equipment As more and more manufacturers are realizing the benefits of using balanced lines in the car audio environment, more processors, EQs, crossovers and even head units with balanced line capabilities have become available. As there is no standard in the industry for balanced line signals, the connectors and wiring configuration can vary greatly from brand to brand.

Arcam is a trademark of A & R Cambridge Ltd. All other trademarks are the property of their respective owners. ARCAM (MJ A28 Integrated Amplifier Key Features of the A28 Integrated Amplifier Pre-amplifier features • All electronic input switching for clean signal path and long term reliability • Studio grade volume control stage with +/- 0.05dB channel matching • Six line level inputs plus high quality MM phono input • Pre-amplifier outputs for bi-amping with Arcam power amplifiers (e.g.

input/auxiliary output When connecting a Compact Disc player with a phono socket output, a 5 pin 180° DIN plug (pins 3 & 5) to two PHONO plugs lead should be used. If the player is equipped with a fixed lead terminated in two phono plugs then a high quality twin PHONO sockets to 5 pin 180° DIN plug (pins 3 and 5) adaptor should be used (e.g. A & R lead type L02). If a tape recorder is being used in conjunction with this socket, then the lead required here is usually a 5 pin 180° DIN plug to 4

Schlie.en Sie hier Lautsprecher an, die Sie nur gelegentlich benutzen wollen, z.B. in einem anderen Raum. Sie konnen dann leicht durch Losen der Taste cn an der Frontplatte abgeschaltet werden. Lautstarkeeinstellungen Beachten Sie, dass die Position des Lautstarkereglers keine prazise Angabe uber die Leistungsabgabe an die Lautsprecher darstellt. Der Verstarker gibt seine volle Leistung haufi g schon ab, lange bevor die hochste Stellung des Lautstarkereglers erreicht ist. Das trifft besonders au

Um diese Unterschiede auszugleichen und eine versehentliche Uberlastung zu vermeiden, konnen die Eingangspegel fur jede Quelle individuell angepasst werden (siehe Seite 8). SP1 und SP2 2 Uber diese Tasten konnen Sie den Haupt-(SP1) und Neben-(SP2) Lautsprechersatz aktivieren und deaktivieren. Die Leuchte uber jeder Taste zeigt an, ob die entsprechenden Lautsprecher aktiviert sind. Wenn keine der Anzeigen leuchtet, wird der Verstarker nicht funktionieren, da alle Lautsprecher ausgeschaltet sind!

RETURNS A list of strings separated by spaces. REMOTE No. EXAMPLE CMDS 193 CMDS CMDS ID PMP RSSI TIME FREQ DEV DEL REPL SLOT DATA INFO RX TX ERA 0 # COMMAND TIME APPLIES TO A720B, A723 DESCRIPTION Sets/returns the real time clock. PARAMETERS The actual time, or none in the GET version. RETURNS The actual time as dd/mm/yyyy hh:mm:ss. REMARKS GET/SET. REMOTE No. EXAMPLES TIME 12/12/1998 22:10:10 193 TIME 0 # TIME 193 TIME 12/12/1998 22:10:10 0 # CHAPTER 4 Using terminal commands COMMAND FREQ • CAU

All other registered names used throughout this publication are trademarks of their respective owners. Neither the whole nor any part of the information contained in this publication may be reproduced in any material form except with the prior written permission of Adcon Telemetry. This publication is intended only to assist the reader in the use of the product. Adcon Telemetry shall not be liable for any loss or damage arising from the use of any information in this publication, or any error or

Dauerleistung 40 W 50 W 50 W 8 . 1 Kanal, 1 kHz 50 W 60 W 60 W 4 . 1 Kanal, 1 kHz 80 W 90 W 90 W Klirrfaktor Nennleistung an 8. bei 1 kHz 0.01% 0.01% 0.005% Spitzenstrom ±15 A ±15 A ±15 A Ubersprechen (links/rechts) –68 dB –68 dB –90 dB Eingangsempfi ndlichkeit fur Ausgangs-Nennleistung 250 mV 260 mV 540 mV Frequenzbereich ± 0,25 dB 20 Hz–20 kHz 20 Hz–20 kHz 20 Hz–20 kHz Eingange Line-Eingange: Rauschabstand (CCIR) bzgl. Leistung –100 dB –100 dB –110 dB Eingangsimpedanz 12 k. 12 k. 100 k. AV/DVD