Its high degree of flexibility enables the set up and optimization of active multiway systems with variables previously unavailable in a single-rack-space device. The unit can be configured in two-way stereo, two-way dual mono, three-way mono with a direct out and four-way mono. Functional blocks in the unit include high- and low-pass filters, tunable low-cut filters to extend the low-end response of bass cabinets, parametric equalizers, low- and high-shelving equalizers, limiters and delays. T

The various programs make for prime simulation of the original cabinets on which it was based. All the originals’ typical properties such as different frequency responses, rotor speeds, coloration, start-up and decay times have all been determinated via precise measuring techniques and subjected to psycho-acoustic analysis. In the Fx 70 the 24 bit signal processor ARS-10 calculates the identical algorithms, thus providing perfect simulation of the original sound in stereo. A room simulation can

The unit has a lightweight and durable chassis with a recessed front panel for control knob protection. The mixer’s lightweight design combined with its high-power amplifiers make it a step ahead of the competition. The mixer consists of eight channel inputs which may be used as either a balanced mic input or a high-impedance line input. Each of these channels has a gain control, clip LED, independent monitor send, a three-band equalizer with mid-frequency sweep, effects send, pan control, and

Redmond, WA 98052 Phone (20G) 883-3510 P N 70000» 1. Introduction The 6100 series mixers are the natural result of exhaustive laboratory research and actual field testing This mixer is designed to be easy to use. and to provide optimum performance under even the most demanding conditions The 6100 mixing system incorporates every one of TAPCO's time-tested design and construction techniques into a unit that gives you every control you need, and a format designed specifically for live music so

10 AUX3............................................................... 12 Phones + Mono Out + Standby........................................... 13 Master + Power Amplifier................................................ 14 Rear panel........................................................... 18 Standard installation + Master patchbay and installation alternatives ............. 19 Specifications.........................................................26 Block diagram......................

Thus, your first choice should be to establish the mix using only the input channel EQs tosee if you can get satisfactory results. If so, you can use the graphic EQ for the AUX3 (monitor), where in most cases it is more needed. You will find the description of how to include the graphic EQ in the monitor bus later in this owner’s manual. 58. MASTER LED-DISPLAY The PSX offers two 10-segment LED ladders to monitor the output levels of the L/R master signals. The indication range of the LED-meter i

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Input/Mono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Input/Stereo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 AUX3 . . . . . . . . . .

The overall volume is set through the use of the master faders. Even though the channel faders offer an additional gain of +10dB, we would recommend that you not exceed the +5dB mark. If the PSX’s main bus gets “overloaded” with too many “high level” input channels, despite its special negative gain structure, the summing amplifier could be driven into clipping. Once you reach a level where some channel faders are set above the 0dB marking, we would recommend you lower the setting of each channe

1 1.1 Rack Mounting...................................................................................................................................... 1 1.2 Ventilation.........................................................................................................................................1 2 SIGNAL CONNECTIONS.............................................................................................................................. 1 2.1 Input Connections................

Wenn die Endstufe zusammen mit anderen Geraten in einem 19“-Rack betrieben wird, sollte der Schalter in Stellung GROUNDED stehen. Wird die Endstufe mit Geraten mit unterschiedlichem Erdungspotenzial betrieben, sollte der Schalter in Stellung UNGROUNDED stehen. RUCKSEITE LIMITER Der eingebaute Limiter zur Vermeidung von Ubersteuerungen ist in seiner Zeitkonstante umschaltbar. Normalerweise sollte die Stellung SLOW benutzt werden (Auslieferungszustand). Bei Verwendung der Endstufe als Mittel-Hocht