@ 5%THD IMPEDENZA D'INGRESSO (POWER AMP IN): 1M. FOOTSWITCH (OPZIONALE) P/N 0994070000 FUSIBILI: 1A, 250V per le versioni a 100/110/120V 500mA, 250V per le versioni a 220V/230V/240V DIMENSIONI HEIGHT: 40 cm (15.5 in) WIDTH: 43 cm (16.75 in) DEPTH: 21 cm (8.125 in) PESO: 9.6 kg (21 lb) Le specifiche possono essere soggette a variazioni senza alcun preavviso. fender.com 73 74G DEC 3O fender.com Dieses Symbol warnt vor gefahrlichen Spannungs- pegeln im Inneren des Gehauses. Dieses Symbol fordert zu

Das B-DEC 30 gibt Ihnen jetzt die Gelegenheit, jederzeit, in jeder Tonart, in jedem Tempo und so lange Sie mochten mit einer kompletten Band zu proben. Das B-DEC 0 bietet zwei Loop-Typen: Performance Loops: Dies sind Song-Beispiele, die verschiedene Stile skizzieren. Jeder Loop besitzt eine “A” Sektion und eine “B” Sektion. Ziel ist es hier, Ihre Instinkte zu verfeinern – nicht nur fur die zu spielenden Tone – und den Wechsel von einer Sektion zur nachsten zu fuhlen oder vorauszuahnen. Dies ist

. F. GAIN—Controls preamp volume and signal distortion, except when Acoustic is the selected Amp Type {H}. G. CH 2 VOLUME—Use to set the loudness of Channel-2 after adjusting GAIN {F}. H. AMP TYPE—Select one of 16 core amplifier circuits for Channel-2 (see next page). NOTE: Use the extreme flexibility of the Amp Type knob wisely! Treble harshness or boomy bass tones can be avoided by using the right guitar settings and playing style for a particular amp type. I. TREBLE/MIDDLE/BASS—Adjusts the hi

2 orit‘up-gain’, u cucon n.Sonorit‘up-gain’, u cucon n.Sonorita metal ‘sup-gain’, u cucon n.Sonorita metal ‘super high-gain’, u cucon n.Sonorita metal ‘super high-gain’, piu cucon n.Sonorita metal ‘super high-gain’, piu cupa e con n.Sonorita metal ‘super high-gain’, piu cupa e con sustain.Sonorita metal ‘super high-gain’, piu cupa e con sustain. Amplificatore FM212 DSP Specifiche TIPO: PR 700 NUMERO NUMERONUMERO P PPAR ARARTI: TI:TI:TI: 2316600000 231660000023166000002316600000 (120V, 60Hz) 2316

This allows a dense reverb to occur during the time the direct signal is on, but does not result in a “washy” sound as the reverb trails off. This effect is very popular on drums (listen to a Phil Collins record), as well as on other instruments and even voices, particularly where a ‘light” mix is desired. Each of the 14 reverb "selections" can be adjusted for a short reverberation decay time, or for a long decay time, using the top rotary switch (in the positions to the right of the center li

These cables use foil shields to reduce their overall diameter to a reasonable size. Because of the fragility of the foil shields in a snake cable (and because of the high cost per foot) you must take extra care in their handling. Avoid sharp bends in these cables. Also avoid placing heavy objects on a snake cable, or rolling heavy objects across them. Snake cables can be a money saver and a time saver when you are setting up a large, multimicrophone system. They also allow you to move your mixe

Set all pan controls and input equalizer (low, mid, and high) controls at the center detented positions. Also, center the slider type graphic equalizer controls. Set all other rotary type volume controls (Reverb/Effects, Auxiliary, Monitor, Input Gain, etc.) at their “0” positions (fully counterclockwise). All front panel switches should be in the “up” (not depressed) position. The slide switches on the graphic equalizers should be set to the position closest to you, marked “left” and “right” r

We are sure that it will provide you with many years of trouble-free service. At Fender, we know that artistry exists on multiple levels. There is the individual musician (a guitar player, bass player, keyboardist, percussionist, or vocalist) who has dedicated years of practice to his or her craft, and puts their soul on the line every time they get up in front of an audience. And there are sound engineers and others in the technical performing arts, who are every bit as much a creative artist

• authentischer Fender Spring Reverb von Accutronics • XLR Line-Ausgang mit Speaker Emulation, Pegelregler und Ground Lift • professioneller Effekt-Loop • 4-Tasten Fu.schalter zur Wahl von Overdrive, Compressor, Reverb und FX Loop • 1965 Fender Blackface Styling • 5-jahrige beschrankte, ubertragbare Garantie Die weltweit beliebtesten Instrumentenverstarker... Seit 1946 A. INPUT 1— Eingang mit voller Empfindlichkeit fur die meisten Gitarren. B. INPUT 2— Eingang mit geringerer Empfindlichkeit (-6d

H. VOLUME - Regelt zusammen mit dem GAIN-Regler {G} die Lautstarke des Tube Overdrive Sounds. I. BLEND - Steuert bei aktiviertem Tube Overdrive die Mischung von sauberem vintage Rohrensound und ubersteuertem Rohrensound. J. VARI-Q - Schaltet die semi-parametrische Vari-Q™ EQ-Sektion ein/aus, was durch die integrierte LED angezeigt wird. Diese Funktion ist mit dem Fu.schalter steuerbar. K. FREQ - Wahlt die Mitte des Frequenzbereichs, den der Level - Regler {L} steuert. HINWEIS: Wenn Level auf „0“