Stimmen - 2, Durchschnittliche Bewertung: 3.5
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Anleitung Zusammenfassung
• In the relative system, there is a calibrated, reference volume at which movies are played in theaters, which is duplicated in your environment and referred to as “0 dB.” Regardless of how large or how small the theater, a setting of “0 dB” is always the same, known volume. Changes from that volume level are shown as either positive (louder) or negative (quieter). People who have spent any time making recordings will recognize that this is similar to the notion of “0 dB” on a record level meter. the system setup menu system audio setup System Setup Pressing the menu button to the left of the LCD touchscreen, followed by pressing the on screen system setup button, will bring you to a menu system that gives you a wide range of control over how the CDP-300 works both on its own and as a part of your overall system. There are four submenus that can be accessed from the system setup menu. Each will be covered in turn. The audio setup button gives you access to six controls pertaining to how your DVD player handles various audio details. speaker setup audio delay If you select the stereo button, the remaining buttons will be grayed out and made inactive. In this mode, the CDP-300 acts as a versatile two channel disc player that can handle many differing disc formats. In a stereo configuration, many of the decisions you need to make in a multichannel system no longer apply. By selecting the multichannel button, you will be able to engage the bass management system within the CDP-300. Having bass management in your DVD player is especially valuable when playing DVD-Audio discs using the analog outputs. DVD-Audio discs usually contain five full-range channels plus a dedicated LFE (Low Frequency Effects) channel. By telling the CDP-300 which of your speakers is less than full range, it can redirect the bass that would otherwise be sent to those smaller speakers to those that will be able to reproduce it. This results in both improved performance and better reliability, since you are not asking speakers to do anything other than what they were designed to do. Modern video displays make extensive use of video processing (as does the CDP-300 itself). This circuitry converts standard definition video (480i or 576i, depending on your local broadcast standard) to a format that is compatible with modern fixed matrix displays such as LCD, DLP or plasmas. However, this conversion process takes some small amount of time, causing a “lip sync” problem between the audio (which has not been delayed appreciably) and the video (which has been delayed for processing). While some people are more sensitive to this problem than others, anyone who perceives a consistent lag between the audio and video will find it quite annoying. The audio delay function of the CDP-300 addresses this by delaying the audio by anywhere by up to 200 milliseconds. This range of adjustment should be adequate to handle any video processing delay you might find in your system. Note that the best use of this delay is to compensate for any delay introduced by the CDP-300’s own video processing (assuming you are one of the ones who are sensitive to this sort of thing). The CDP-300 can only delay audio coming from itself, and has no control over (for example) broadcast television you may be watching. If your television introduces enough video processing delay to be noticeable, you would be better off using the audio delay feature of your A/V preamplifier/processor (assuming it has this capability—which Classe processors do have.) digital output volume setup The digital outputs of the CDP-300 can be configured in any of three ways, based on how you plan to use the player: • off — for example, if you plan to use only the multichannel analog outputs, and not send a digital signal along to a separate processor. • raw — which passes along the native signal of whatever disc is playing, whether that is PCM, Dolby Digital, DTS, or anything else. This setting assumes that your external processor can handle anything you might send its way. • PCM stereo — if the soundtrack you are playing contains multichannel information, it will be “downmixed” to a two-channel PCM signal that would be compatible with stereo playback, or further processing with Dolby Pro Logic II or DTS Neo:6 (as examples). The volume setup menu allows you to set up several volume-related parameters to suit your needs. If you elect not to use the variable volume capability of the CDP-300, these settings will not be available. • max volume — The maximum volume screen allows you to establish a maximum volume setting for your system. This scale runs from 0 to 100, with 100 indicating that you do not want any artificial limit placed on the maximum gain your surround processor can provide. This setting is interactive. You can set the value to something less than 100, and then adjust the volume to see whether it is appropriate. • startup volume — Here you may select the level you prefer after the units wakes out...