Connect the included power supply, power-up the microX, and with the VOLUME all the way down, connect the MAIN OUTPUTS (L/MONO and R) on the back panel to your mixer/amp/monitors/interface. You can also connect a 1/8” headphone jack to the front panel. 2. If you are using the microX as a sound source, or as a controller for another piece of gear, make sure that your MIDI IN/OUT cables are connected properly (IN to OUT, OUT to IN). 3. If you are using the microX with a computer, make sure that yo

2: When the MIDI channel settings of the host application and the plug-in software are the same, proper control may not be available. Please change the MIDI channel setting on either the host application or the plug-in software. Please refer to the application’s manual for the correct setting 1: These operations will overwrite the previous MIDI Control settings. If necessary, back up the previous control Midi file. 2: When the MIDI channel settings of the host application and the plug-in softwar

Halterungsleiste Hiermit konnen das Modul und die Blenden an der Tastatureinheit befestigt werden. Vier Schrauben (M3 x 8) fur die Befestigung. 2. Tastatur 6. TO MODULE-Buchse/TO MODULE(2nd)-Buchse Hier muss das eine Ende des Verbindungskabels (8) angeschlossen werden. Das andere Ende dieses Kabels muss mit dem TO KYBD-Port des Moduls verbunden werden. Nach Herstellen der Verbindung konnen Sie die Tastatur, den Joystick, den Ribbon Controller und die Taster zum Ansteuern des Moduls verwenden. We

Let's start with the basics: - A Combination is a setup that combines 2 or more Programs, hence the name. - In Combination Edit Mode, you can change settings for a Combination. You can get to the Combination Edit Mode by pressing the COMBI button, then the EDIT button. You can move up and down through the various screens of this mode with the up and down directional buttons, located to the right of the screen. - A Combination has 8 Timbres, or areas that can hold a sound. - You can select one so

The explanations are organized by mode, and page. Explanations and other information on the effects and their parameters are also provided for each effect. Refer to this guide when an unfamiliar parameter appears in the display, or when you need to know more about a particular function. Conventions in this manual References to the TRITON STUDIO The TRITON STUDIO is available in 88-key, 76-key and 61key models, but both models are referred to without distinction in this manual as “the TRITON STUD

and other countries. • Windows XP and Windows Vista are registered tra

Francais 78 – Fiche technique | Donnees techniques DEUTSCH 80 – | 80 – | Die gespeicherten Daten konnen bei falscher Bedienung geloscht werden. Daten, die Sie nicht verlieren mochten, mussen Sie unbedingt mit dem beiliegenden Editor/Archivierungsprogramm extern sichern. Warenzeichen Mac ist ein eingetragenes Warenzeichen der Apple, Inc. Windows ist ein eingetragenes Warenzeichen der Microsoft Corporation. Alle anderen Produkt- und Firmennamen sind Warenzeichen oder eingetragene Warenzeichen der

• MDE-X: 19 great MDE-X plug-in effects (many from the award-winning TRITON-series), in VST and Audio Unit formats. • MS20-FX: The amazing filter from the MS-20 can be used as an audio effect as well! • Stand-alone, VST and Audio Units: Synth stand-alone version as well as VST for Windows XP / VST and Audio Units for Mac OS X provided. Text Box: • Software Synths that sound like hardware: Virtual instruments that are indistinguishable from the original MS-20, Polysix and Wavestation synthesizers

This has been fixed. Triton Le - System Version 1.0.2 Availability: December, 2001 Production MIDI [Improvement of function] The setting of Global P2.1 "MIDI Filter" Control Change has been improved to no longer filter the reception of Channel Messages, Local Control On/Off, All Note Off, Omni On/Off, Mono Mode On and Poly Mode On. Arpeggiator [Bug fix] When using "Copy Arpeggiator" Utility on page P6.1 (Combination or Sequencer mode), the settings of the Arpeggiator Run functions were

Some KARMA basics KARMA exists thanks to the vision of Stephen Kay, its creator. It’s an acronym, standing for Kay Algorithmic Realtime Music Architecture. The patterns that KARMA utilizes are called Generated Effects, or GEs for short. Your M3 is loaded with GEs, 2092 of them to be exact! Each Program can be assigned one GE. Combis can be assigned four GEs, and Sequences can be assigned four GEs—at a time! (Record the output of four: it’s preserved as MIDI info; grab four more if you like!) The