The user can select whether a style uses the original factory settings or his/her own. The following tutorial explains how to set up the PA80 to recognize your custom style settings. For this example we will use the “Love Disco” style in the Dance category: 1. Press the STYLE PLAY button to enter the Style Play mode. 2. Select the style that you want to edit. 3. Press the MENU button to enter the Menu mode. 4. Press the UPPER button to select “RT Controls” (Real Time Controls) on screen. 5
This has been fixed. Triton Le - System Version 1.0.2 Availability: December, 2001 Production MIDI [Improvement of function] The setting of Global P2.1 "MIDI Filter" Control Change has been improved to no longer filter the reception of Channel Messages, Local Control On/Off, All Note Off, Omni On/Off, Mono Mode On and Poly Mode On. Arpeggiator [Bug fix] When using "Copy Arpeggiator" Utility on page P6.1 (Combination or Sequencer mode), the settings of the Arpeggiator Run functions were
Locate the power switch on the rear panel, and set it to USB to use the power provided by your computer’s USB bus. You may also set the switch to DC to use the optional 9V power supply. Note: The K-Series will not power up when set to USB unless the computer is on! 2. Connect the USB cable to your computer. 3. K61P only: Connect a pair of audio cables from the rear panel L/R outputs to your stereo monitoring system, or plug stereo headphones to the HEADPHONES jack on the rear panel. D DDr rri ii
This Tour Guide is your first stop on an amazing journey of discovery. Our goal here is to get you comfortable working with this model, so that you can fully take ownership and give this amazing organ emulation your personal stamp. After you’ve finished this tour, you can learn more about this great instrument by working with the OASYS Operation and Parameter Guides. And you’ll find new OASYS tutorials, tips and tricks, support materials, and discussions with other OASYS owners by visiting and o
Connect the included power supply, power-up the microX, and with the VOLUME all the way down, connect the MAIN OUTPUTS (L/MONO and R) on the back panel to your mixer/amp/monitors/interface. You can also connect a 1/8” headphone jack to the front panel. 2. If you are using the microX as a sound source, or as a controller for another piece of gear, make sure that your MIDI IN/OUT cables are connected properly (IN to OUT, OUT to IN). 3. If you are using the microX with a computer, make sure that yo
2: When the MIDI channel settings of the host application and the plug-in software are the same, proper control may not be available. Please change the MIDI channel setting on either the host application or the plug-in software. Please refer to the application’s manual for the correct setting 1: These operations will overwrite the previous MIDI Control settings. If necessary, back up the previous control Midi file. 2: When the MIDI channel settings of the host application and the plug-in softwar
If any items are missing, please contact your dealer. CD-ROM KORG Legacy Collection - ANALOG EDITION 2007 Installation/Setup guide Software License Agreement USB Key Please note • All copyrights to the software of this product are the property of Korg Corporation. • The license agreement for this product is included separately. You must read this license agreement before you install the software. Your installation of the software will be taken to indicate your acceptance of this agreement. • In
Adding the Real-Time Parts While the STYLE will play up to eight backing parts, you can play up to four parts in real-time; three layered on the UPPER half of the keyboard, one on the LOWER portion of the keyboard. There are many advantages to having so many sounds on the upper half. For instance, a STYLE may layer a monophonic flute on top of a string section, and when you play above a certain velocity, an additional part of say, a concertina playing harmonies using the ensemble mode is introdu
In addition to providing outstanding sounds, the PA-80 can also accompany your performance, using up to eight additional parts – all packed into a STYLE. These “Styles” provide the basis for the Backing Sequencer. Songs created this way may be saved to disk and recalled, and played back from disk at anytime. Styles can be edited down to the minutest detail – changing the kick drum inside a kit, adjusting the cutoff and resonance of a synth voice, slowing the attack of a string section, or even a
Different degrees of resistance accompaniment parts; plus 2 Fill-Ins, from top to bottom. Velocity sensitive with 6 2 Intros, 2 Endings, and 4 variations per style. touch curves for custom response. • 40,000 note / 8 track sequencer with 100 • TouchView Graphical user interface. song memory. • 412 on-board sounds (Including 16 drum • On-screen “HELP” feature kits) 64-note polyphony. Split and Layer • Stereo Inputs/Outputs and dual headphone functions. jacks. • Two digital effect processors. (37