2. Volumendrehknopf - Dieser Drehknopf vermindert (senkt) den Ausgang der Aufnahme der X-Gitarre. Es ist unabhangig von den Effekten und fungiert vor ihnen. 3. Programmieren des Auf-/Ab-Schalters – erhohen oder verringern Sie das Effektprogramm mit diesem Schalter. 4. Effekt-AN/AUS-Schalter – Drehen Sie diesen in die Aufwarts-Position, um die Effekte einzuschalten. Versichern Sie sich, dass nach dem Spielen abgeschaltet wird, um die Batterien zu schonen. 5. Ausgangsbuchse – fur Stereoausgang. St

8. PARAM – direktes Steuerungsparameter fur FX1; kann fur die meisten Effekte auf Pedalsteuerung unabhangig der FX1-Einstellung gesetzt werden. 9. FX2 – Stereoversionen der in FX1 vorhandenen Effekte mit vielen Bereicherungen; diese haben ebenfalls Einstellungen fur die Pedalsteuerung. 10. PARAM – direktes Steuerungsparameter fur FX2; kann fur die meisten Effekte auf Pedalsteuerung unabhangig der FX2-Einstellung gesetzt werden. 11. FX3 – verschiedene, auf Verzogerung basierte Effekte; die Meiste

2. Programm Up/Down-Tasten – diese wechseln die Programmnummer, falls sie zusammen gedruckt werden, wird das Gerat in die Betriebsarten Bypass oder Mute betrieben und verbinden mit dem Tuner. 3. Anzeige – zeigt Bank und Programm, Parameterwerte und die Tonlageim Tunerbetrieb an. 4. EFFECT-Knopf – setzt den Wildfire in SPIEL- oder EDIT-Betrieb. Sie befinden sich in EDIT-Betrieb, wenn Sie ein Modul oder ein Parameter mit diesem Knopf anwahlen. 5. VALUE-Knopf – stellt Parameterwerte , Programmnumme

The Alesis SR-18 Drum Machine sound range covers almost any kind of music and has some interesting drums, hits, electronic drums, percussion and bass sounds. The Alesis SR-18 Drum Machine features 24-voice polyphony, 32MB percussion and bass sounds, built-in effects (reverb, EQ and compression), 12 drum pads, transport controls, value/tempo jog wheel, pattern-trigger pad, drum roll and mute/solo functions, 100 factory and 100 user presets, backlit LCD, 1/4" input, 1/4" aux and headphones output

Although the QS’s keyboard does not generate poly pressure, its sound generators can respond to MIDI poly pressure messages. • MOD WHL (Modulation Wheel) is traditionally assigned to LFO level so that rotating the wheel away from you introduces vibrato. However it is also well-suited for controlling timbre, vibrato speed, and other parameters. • PITCH WH (Pitch Wheel) usually controls the oscillator pitch but can control other parameters. • MIDI VOL corresponds to MIDI controller #7. Example: As

Here are the parameters you will find on these pages: REVERB TYPE Range of Settings: (see below) Page 5 The QS has seven different reverb types, all stereo, each of which simulates a different space or produces a different ambient effect. The different Reverb types are: Plate 1 & 2. The two Plate reverb types simulate an artificial device known as a Plate. In the early days of recording, Plates were extremely popular because they were almost the only way to provide any sort of artificial ambianc

Use 1-PITCH mode when you want a program sound layer to play a single pitch polyphonically throughout the entire keyboard range. In 1-PITCH mode, the QS will play the sample used for note C3 for all notes in the range. 1-PITCH mode is often used for layering a noise or drum sound behind another sound that is pitched, for example, to fatten up a bass guitar sound with a hint of kick drum, or to have the same cymbal hit every time any note is played. Alternatively, 1-PMONO mode is a monophonic ver

The more you know about it the more you’ll be able to do, so we recommend that you make good use of this manual. But most importantly, don’t forget to have fun! (There’s a good reason they call what musicians do playing.) HOW TO USE THIS MANUAL No manual can cover the needs of all musicians. There are simply too many of you, and your needs are too different. But we’ve tried to make this a document that will teach you what you need to know while encouraging you to explore new and interesting terr

QS7/QS8 Reference Manual Editing Programs: Chapter 6 PITCH ENVELOPE The Pitch Envelope function (press [90]) can lead to dramatic effects, since it can cause the pitch of a single key to change drastically over time. It’s typically used in special-effect synthesizer programs, but it may also be used more subtly in an acoustic program to simulate the characteristic of some instruments to go sharp on the initial attack, especially when played hard. The following Pitch Envelope variables will have

Reference Manual This page intentionally left blank 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% Table Of Contents Introduction ........................................................5 Important Safety Instructions ........................7 Chapter 1: Connections.....................................11 Chapter 2: First Session....................................13 Playing the Demos .................................................................................13 Playing Programs...................