Stimmen - 4, Durchschnittliche Bewertung: 4.3
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Anleitung Zusammenfassung
A motion of the filter changes depending on the strength or the position, when playing the bass. DEEP FILTER A saw-wave synth-bass sound with a strong filter effect. A motion of the filter changes depending on the strength or the position, when playing the bass. SQUARE A square-wave synth-bass sound. A motion of the filter changes depending on the strength or the position, when playing the bass. * When SYNTH (SAW LEAD–SQUARE) is selected, this effect does not function correctly if two or more notes are played simultaneously. DRIVE/SENS knob When DRIVE (NATURAL–HI-BAND DRIVE) is selected Adjusts the amount of distortion applied. Turning the knob to the right boosts the distortion and increases the volume. When SYNTH (SAW LEAD–SQUARE) is selected Adjusts the amount of filtering applied. Using the Effects TONE/CUTOFF knob When (NATURAL–HI-BAND DRIVE) is selected Adjusts the tone. Turn the knob to the left for a milder sound or to the right for a sharper sound. When SYNTH (SAW LEAD–SQUARE) is selected Adjusts the frequency at which the harmonic components of the sound are cut (the cutoff frequency). D.LEVEL/RESONANCE knob When (NATURAL–HI-BAND DRIVE) is selected Adjusts the volume of the direct sound. * Normally this adjusts the sound immediately ahead of its being input to DRIVE/SYNTH, but when OCTAVE UP is selected as the FILTER/TONE type, this adjusts the sound input to the INPUT jack. Thus, only the sounds raised by an octave are distorted, giving an effect that sounds like a guitar playing in unison with the direct bass sound. When SYNTH (SAW LEAD–SQUARE) is selected Adjusts the amount by which the harmonic components near the cutoff frequency are boosted. E.LEVEL knob Adjusts the volume. * Noise may creep into the sound if the E.LEVEL knob is turned up too high. Adjust the E.LEVEL knob so the volume level sounds the same whether the effect is switched on or off. Using the Effects DELAY/MODULATION DELAY / MODULATION indicator Pedal indicator DELAY / MODULATION pedal This provides the delay effect, in which the sound is slightly delayed and is fed back to the direct sound, and the modulation effect, which adds a sort of swell to the sound to give it greater breadth. The ME-50B comes equipped with eleven different delay and modulation effects. You can select and use any one of these effects at a time. DELAY/MOD pedal The Delay/Modulation is switched on or off each time you press the pedal. When switched on, the DELAY/MOD indicator and pedal indicator light up. * When.TAP DLY is selected, holding down the DELAY/ MOD pedal for at least two seconds, causes the effect to turn off. * When HOLD DLY is selected, you cannot switch the effect on/ off by pressing the pedal. * DELAY ON/OFF switches the Delay at the input to provide a more natural effect. For this reason, if the FEEDBACK is turned up when the Delay is turned off, the delay sound will remain briefly. * When a setting other than HOLD DLY, CHO + REVERB, or REVERB is selected, you can use the DELAY/MOD pedal to input the tempo, and set the delay time synchronized to the performance tempo. “.TAP DLY” (refer to the following) “Adding a Delay Synchronized to the Performance Tempo” (p. 16) “Adding a Modulation Synchronized to the Performance Tempo” (p. 17) TYPE knob Selects the effect to be used from the eleven different effects that are available. .TAP DLY This is a tempo delay that lets you set a dotted eighth note delay time for the performance tempo by pressing the DELAY/MOD pedal in time with the performance tempo. * The delay time can be set within the range of 46.5 ms to 1050 ms. “Using the .TAP DLY Function” (p. 16) TIME/RATE knob This has no effect or function. FEEDBACK/DEPTH knob Adjusts the amount of feedback (number of repeats). Turning the knob to the right increases the number of times the sound repeats. E.LEVEL/RESONANCE knob Adjusts the volume of the delay sound. HOLD DLY Up to 2.8 seconds of performance content is recorded, then played back repeatedly. You can also layer this as you perform something else, then record these together (overdub). You can keep the recorded content playing continuously as backing and produce other special effects. “Using the HOLD DLY Function” (p. 16) TIME/RATE knob This has no effect or function. FEEDBACK/DEPTH knob This has no effect or function. E.LEVEL/RESONANCE knob Adjusts the volume of the playback sound. Using the Effects ANALOG DLY/0-400 ms DLY/300-1400 ms DLY ANALOG DLY: This gives a mild analog delay sound. The delay time can be set within the range of 100 ms to 500 ms. 0-400 ms DLY: Delay sound of 0 to 400 ms delay time. 300-1400 ms DLY: Delay sound of 300 to 1400 ms delay time. TIME/RATE knob Adjusts the delay time. FEEDBACK/DEPTH knob Adjusts the amount of feedback (number of repeats). Turning the knob to the right increases the number of times the sound repeats. E.LEVEL/RESONANCE knob Adjusts the volume of the delay sound. PHASER By adding varied-phase portions to the direct sound, adds a twisting “wa...
Dieses Handbuch ist für folgende Modelle:Musikinstrumente - ME-50B (1.91 mb)
Musikinstrumente - ME-50B (1.91 mb)