4 PRO 2 ...................................... 5 Back panel ................................... 6 Power and headphones ................ 7 Pedal connections ........................ 8 Section 2: Quick Study Guide Sounds and effects ..................... 10 Performances ............................. 12 Section 3: Basic Features Sounds and performances .......... 16 Tuning and tone controls ........... 18 Effects and touch ....................... 20 Other controls ............................ 22 Se

When you have finished tuning this key, simply press another key and proceed as before. When you have finished tuning all of the keys you need, simply press PERF EDIT, to escape from the edit screen. If you want to reset the user tuning, (this procedure will program the user tuning to be the same as the EQUAL temperament), this can be done from the “Restore Tuning” function under the MASTER/MIDI button. See section 5 of this manual for more details. Generalmusic PRO 1/PRO 2 Page 27 Other feature

You will be asked if you really want to initialize. Press Enter to initialize. 3. Turn the unit off and disconnect it from the AC mains power (unplug it from the wall). On a flat, protected working surface (static-free), turn the unit over on its front panel. You will need a Phillips-head screwdriver to remove the two screws holding the front panel down and the twelve screws holding the keybed in place. Refer to Figure 1 for screw locations. Make sure the keybed is supported when you turn the u

Stage Piano (S) 17. Harpsi/Strings (L) 2. Rock Piano (S) 18. Vibes 2 (Sp) 3. Rhodex (S) 19. Rock Piano/Pad (L) 4. Hard Rhodex (S) 20. Rhodex Pad (L) 5. Wurtlitz (S) 21. FM Piano Stage (L) 6. FM Piano (S) 22. Strings/Choir (L) 7. El. Glock Piano (L) 23. Piano/Choir (L) 8. Harpsi (S) 24. Stage Piano/Poly (L) 9. Vibes 1 (S) 25. Rock Piano/Poly (L) 10. Piano/Strings (L) 26. Jazz Organ 1 (S) 11. Stage Piano/Strings (L) 27. Pop Organ (S) 12. Stage Piano/Bass (Sp) 28. Theatre Organ (S) 13. Piano/Bass (

About the AC adaptor •Use only the supplied AC adaptor. Use of another type of adaptor creates the danger of fire and electric shock. For safety sake, be sure to unplug the AC adaptor from the wall outlet whenever leaving the keyboard unattended for a long time. •Always ensure that the instrument is turned OFF when connecting or disconnecting the power adaptor. Applying power while the power switch in depressed may damage the components inside the unit. •Do not use adapters other than the one sp

It has been designed with a full complement of controls, available from the front panel, that allows operation in a wide variety of applications. This chapter presents the use of the DPM SX as a “stand-alone front-end sampler” that can be used in the most general applications. To use the DPM SX as a stand-alone sampler: • Connect your “sound” source into one of the two input jacks on the front panel of the DPM SX. If you are using a microphone, connect it to .the XLR jack. If you are using a C

The upper frequency limit will be set to a value that is slightly less than half sample rate (frequency). • Adjust the “trigger” threshold. The Threshold can be adjusted to any value from 42 dB to 00 dB below the clip level of the sampler. The default “trigger” threshold is 30 dB below the clip level. If it is desirable to “trigger”, or initiate, the sampling process using either a “Note On” MIDI command or any “MIDI Continuous Controller” command, this can also be accomplished via a separate

...................................1.8 1.4b Studio Use with a Sequencer...................................1.8—1.9 1.4c The Payoff!............................................... .1.9-1.10 1.5 ABOUT DYNAMIC ALLOCATION . ..............................1.10 Chapter 2 — Modifying Existing Sounds 2.1 GLOBAL MENU TWEAKS.........................................2.1 2.1a Master Tuning...................................................2.1 2.1b Velocity Curve............................................

The name and corresponding number of all the Styles in memory are silkscreened above the display on the left. You’ll see that they are organized in Groups (8 BEAT, 16 BEAT, ROCK, etc.) and numbered from 01 through to 96. Select the Style you want by entering the corresponding two digits in sequence. 5. For example, to select Style number 17 (Shuffle 2), press button [1] then [7]. Selecting the Styles by recalling the Performances Another quick way of selecting the Styles is by selecting the Perf

Do not expose the keyboard to high temperature, direct sunlight and excessively dusty places. . Avoid physical shocks caused by dropping, bumping, or placing heavy objects on the keyboard. . Never use cleaners such as alcohol or solvents to clean the keyboard. . Always turn the power off when making any connections. Generalmusic web site: The information in this publication has been carefully prepared and checked. The manufacturers however decline all liability for eventual errors. All rights ar