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Hersteller: AKG Acoustics Dateigröße: 195.58 kb Dateiname: Unterrichtssprache:

Belt Clip The supplied connecting cable lets you connect the line output on pin 2 of the 2.5 Audio Connection mini XLR jack (1r) on the receiver to an XLR input on a camcorder or mixing console. 1. If the selected input provides phantom power, switch the phantom power OFF. Refer to the manual of your camcorder or mixing console. 2. Plug the mini XLR connector on the connecting cable into the AUDIO OUT jack (1r) on the receiver. 3. Plug the XLR connector on the connecting cable into the desired XLR input jack. PART II: PR 81 RECEIVER II 2.6 Connecting Headphones Important: 2.7 Connecting to a Camera and Headphones Important: The optional MK HP/C Y cable from AKG lets you connect the receiver to a camcorder or mixing console and monitor the received signal using headphones with a mini jack plug. In order to avoid overloading the headphone amplifier, do not connect headphones with an impedance of less than 16 . to the headphone output. 1. Plug the mini XLR connector on the Y cable into the AUDIO OUT jack (1r) on the receiver. 2. Plug the XLR connector on the Y cable into the desired XLR input jack on the camcorder or mixing console. 3. Connect the headphones to the mini jack on the Y cable. 4. Use the rotary control (1e) to set the volume level for the headphones. The line output level is not adjustable. 2.8 Aligning the Antennas To connect a pair of headphones to the receiver, you will need an optional MK HP adapter cable from AKG. This cable provides a mini XLR connector and a TS mini jack for connecting headphones with a mini jack plug. In order to avoid overloading the headphone amplifier, do not connect headphones with an impedance of less than 16 . to the headphone output. 1. Plug the mini XLR connector on the adapter cable into the AUDIO OUT jack (1r) on the receiver. 2. Connect the headphones to the mini jack on the adapter cable. 3. Use the rotary control (1e) to set the volume level for the headphones. For optimum reception, point each antenna (1g) away from the receiver at an angle of 45 degrees. With the antennas aligned like this, the diversity function will operate optimally and prevent disturbances such as noise or dropouts most efficiently. If you wear the receiver on the belt it makes no difference whether you point the antennas (1g) up or down as long as you align them in a "V" as described above. If you mount the receiver on a camcorder, align the antennas in the same way and make sure the antennas (1g) will protrude above the camera case. This will prevent dropouts due to shadow effects of the camera case. 2.9 Color Code To replace the black color code platelet (1) on the receiver with a different-color platelet from the optional CC 60 Color Coding Kit, 1. Lift the end of the black color code platelet (1h) on the top panel of the receiver and remove the color code platelet (1h). 2. Select a color code platelet of the desired color from the CC 60 Color Coding Kit and snap the selected platelet onto the receiver. PART III: HT 81 HANDHELD TRANSMITTER III 1 Description The HT 81 handheld transmitter and matching microphone elements (optional) provide the same acoustic performance as the equivalent hardwire microphone versions. The microphone elements available for the HT 81 have been specifically designed for vocal use. The HT 81 operates in a subband up to 3 MHz wide within the 710 MHz to 860.9 MHz UHF carrier frequency range. The HT 81 can be switched to a maximum of 15 different carrier frequencies depending on local frequency allocations. The transmitter uses a dipole antenna integrated in the body. The controls can be protected against accidental misadjustment collectively (2d) or individually with the supplied adjustable protective ring (2j). 2a PWR: Switches the transmitter power ON ("I") and OFF ("0"). 1.1 Controls 2b Status LED: Indicates battery status and audio input overload. LED glowing dimly: batteries are OK. LED constantly lighting brightly: batteries will be dead in about 60 minutes. LED illuminating brightly: audio input is overloaded. 2c MIC: Mutes the audio signal (position "0") while power and carrier frequency remain ON. 2d Color Code: If you use the transmitter in a multichannel system you can remove the black plastic ring and replace it with a colored ring from the optional Color Coding kit to identify each wireless channel by a different color. 2e GAIN: This rotary pot allows you to match the microphone level to the transmitter’s audio section. 2f Battery Compartment: Refer to Section 2 Setting Up. 2g CHANNEL: This rotary switch selects the desired carrier frequency (depending on local allocations) or switches between the carrier frequency and its alternative frequencies. Prior to selecting frequencies, switch the transmitter OFF. Important: 2h Carrier Frequency Table: A label listing the available frequencies is affixed to the battery compartment. 2i Frequency Set Designation: The label inside the battery compartment also indicates the designation of the Frequency Set....

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