It features twelve separate input controls which can be used to adjust the level from any of 12 input sources. Figure 1 shows the layout of the front and rear panels. Input channels 1-10 are designed to either be used as low-Z balance microphone or line level inputs. The combination connector on inputs 1-10 permits use of either XLR or .” input connectors. The block diagram shown in Figure 2 outlines the signal flow for the MA-1206. A signal appearing at either input 1 will automatically mute th

The transmitter and receiver were fine-tuned together as a system to ensure perfect compatibility. Each system is individually hand-tested and walk-tested for reliability and range prior to shipment. To assure field reliability, each receiver is "burned in" for 24 hours in a specially designed environmental chamber, which simulates the heat and ventilation conditions that would be found in a rack of live electronics and power amps. Both transmitters and receivers are shock-tested to detect and

INPUT CHANNEL CONTROLS AND FUNCTIONS 1A Gain 1B Equalizers 1C Effects Reverb Send 1D Monitor Send 1E Pan Pot 1F Channel Fader 1G Peak LED 1H Channel Patching Insert Jack OUTPUT SECTION CONTROLS AND FUNCTIONS 2A EFX Master Send 2B EFX Return Level 2C EFX PAN 2D AUX IN 2E AUX PAN 2F Reverb Section 2F1 Reverb Level 2F2 Reverb PAN 2G Master Section Controls 2G1 Left Submaster 2G2 Right Submaster 2G3 Main Master 2G4 Monitor Master 2H Meter Assignment Switch 2J LED VU Indi

Turning the Gain Control back a little bit to the left sets the optimal signal level for this channel. 12. Set the fader of channel 1 to the 0 dB mark in the upper third of the fader path. 13. Press the FX 1 On and the FX2 On buttons on the nght bottom, above the blue faders. 14. Position the FX1 and FX2 faders at the “-10 dB mark". 15. Increase the output level by carefully pushing up the master output controls (right bottom), while at the same time speaking into the microphone. Your voice

ElectroVoice WIRELESS SYSTEMS OWNER’S MANUAL GS-2000A WIRELESS GUITAR SYSTEM EV GS-2000A WIRELESS GUITAR SYSTEM OWNER’S MANUAL TABLE OF CONTENTS INTRODUCTION...................................................................................................................................2 WHAT IS A WIRELESS SYSTEM? ......................................................................................................2 FEATURES.............................................................

(See the Amplifier Recommendations section.) Power-Handling Capabilities The Xi-2181 systems are rated as per the “ANSI/EIA RS-426-A Loudspeaker Power- Rating, Full-Range Test,” which uses a shaped-random-noise signal to simulate typical music to test the mechanical and thermal capabilities of the loudspeakers. A digital crossover was used to provide the appropriate filtering and equalization. The test parameters are as follows: Low-Frequency Section (Pins 1 and 2 par alleled): PE(MAX): 1,200 wa

Thus, your first choice should be to establish the mix using only the input channel EQs tosee if you can get satisfactory results. If so, you can use the graphic EQ for the AUX3 (monitor), where in most cases it is more needed. You will find the description of how to include the graphic EQ in the monitor bus later in this owner’s manual. 58. MASTER LED-DISPLAY The PSX offers two 10-segment LED ladders to monitor the output levels of the L/R master signals. The indication range of the LED-meter i

The unique combination of features of the 2508 and 2509 provide many benefits for the consultant, contractor and end user. These features make the 2508 and 2509 mixers ideal for use in meeting rooms, churches, and teleconferencing. The standard features provide the consultant with powerful tools that allow increased flexibility of design necessary to meet the needs of the end user. These features also allow for ease of installation by the contractor without the need for custom work. GENERAL FEA

TROUBLESHOOTING WARRANTY one Specifications SECTION 1.0 GENERAL SPECIFICATIONS FREQUENCY RESPONSE — Mic Input to Any Output. EQ Flat. All Faders Nominal 20-20.000 Hz ± 1 dB TOTAL HARMONIC DISTORTION — <0.05% at +4 dBu'. 20-20.000 Hz <0.10% at +24 dBu. 20-20.000 Hz HUM AND NOISE — Measured with a DIN audio filter (22-22 kHz) -128 dBu EIN-equivalent input noise, mic input terminated 150 G. Mixer signal-to-notse ratio measured with masters at nominal and all inputs off. 79 dB CROSSTALK —

See AES Recommended Practice section. Power Frequency Response: 500-20,000 Hz (essentially flat 500-3,000 Hz with 6-dB-per-octave roll-off to 20,000 Hz, rapid roll-off beyond) Nominal Impedance, on HP Series Horns above 500 Hz, DH2A: 8 ohms DH2A-16: 16 ohms Minimum Impedance at 7,000 Hz, DH2A: 6 ohms DH2A-16: 12 ohms dc Resistance, DH2A: 4.5 ohms DH2A-16: 11.0 ohms Long-Term Average Power Capacity on HP Horns, Indicated Bands of Pink Noise, 8-Ohm Impedance Assumed, 24 Hours, 10-dB