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Anleitung Yamaha, modell DTX700

Hersteller: Yamaha
Dateigröße: 889.97 kb
Dateiname: dtx700_en_rm_a0.pdf
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Anleitung Zusammenfassung


When you click on any of the menu items, you will be taken to the start of the corresponding section. Search Function This function built in the viewer software is very useful if you want to know the meaning of unfamiliar terms. When using Adobe Reader to read this manual, enter a specific word in the search box, then press the key of your computer keyboard to call up the relevant section in this manual. NOTE • Make sure to check and download the latest version of the Adobe Reader from the following site. Previous Page View/Next Page View When using Adobe Reader, click to return to the previous page view/go to the next page view via the buttons in the toolbar. This function is very useful if you want to return to the previous page view when jumping to a link page. NOTE • If the previous page view/next page view buttons are not shown in the toolbar, hold the key and press < >/< > keys to move to the previous/next page view. • For more information on these and other functions in the software, refer to the owner’s manual of the software. EN Internal Design of the DTX700 In this reference section, you will find a description of what takes place within the DTX700 between striking of a pad and the output of sound from speakers. Understanding how signals flow and are processed internally will allow you to utilize the powerful functions of this versatile instrument to their maximum potential. Pads & Trigger Signals Whenever you strike a pad, a trigger signal containing various items of performance data will be produced. These signals typically reflect the strength with which the pad was struck, the actual location of the strike, and the like; furthermore, they are delivered via a cable and a trigger input jack to the DTX700’s internal tone generator, which outputs the appropriate drum sounds in response. If a pad is set up to generate just one sound, there will be a one-toone relationship between the trigger signal type and the drum voice output. With certain types of pad, however, it is possible to produce a range of different types of trigger signal that reflect the location of the strike, the drumming technique being used, and other factors. [Terminology] Zone: The term “zone” is used to refer to specific areas of the pad, such as the rim, cup, and head. Pads with multiple zones (such as two- and three-zone pads) can produce a different trigger signal for each. As their name suggests, one-zone pads produce only one signal irrespective of where they are struck. Trigger input source: Trigger input sources are named in accordance with the way in which the corresponding pad or pedal is struck or operated. • One-zone pads (producing a single trigger signal) A mono pad such as the TP65 Single Zone Drum Pad or PCY65 Single Zone Cymbal Pad transmits only one type of trigger signal to the DTX700, irrespective of where it is struck. • Two- and three-zone pads (producing multiple trigger signals) In contrast to the PCY65 Single Zone Cymbal Pad and other mono pads, multi-zone pads such as the PCY65S Double Zone Cymbal Pad can produce two different types of trigger signal depending on the zone that is struck, while the PCY135 Triple Zone Cymbal Pad can produce three. In specific terms, multi- zone pads come in either the two-zone or three-zone variety. For instance, the PCY135 Triple Zone Cymbal Pad illustrated below comprises three trigger input sources – the bow, the edge, and the cup – each of which generates a trigger input signal when struck. Example: PCY135 trigger input sources when connected to the [yCRASH1] trigger input jack Trigger input source: The voice assigned “Crash1Bw” to the bow’s trigger input source will be Bow played. Trigger input source: “Crash1Eg” The voice assigned to the edge’s trigger Edge input source will be played. Trigger input source: “Crash1Cp” The voice assigned to the cup’s trigger Cup input source will be played. DTX700 Reference Manual 2 Internal Design of the DTX700 • Example of how a pad controller can be used to increase the number of trigger input sources Consider, for example, a situation where an XP100SD Snare Pad is connected to the [qSNARE] trigger input jack and the PadCtrlType (Pad Control Type) parameter from the Menu area’s Kit/Pad page is set to “snaresOn/Off”. As this pad comprises three zones – namely, the open rim (A), the closed rim (B), and the head (C) – it will have three trigger input sources. If the pad controller were then to be used to switch the SnaresOn/Off (Snare Wire On/Off) parameter from “on” to “off” or vice-versa, the pad could be made to have a total of six trigger input sources. • Combining three zones and a pad controller to give six trigger input sources Example: XP100SD • When pad controller is turned clockwise, setting SnaresOn/Off to “on”: Total of six trigger input sources Trigger input source: “SnareOp” Trigger input source: “SnareCl” Trigger input source: “SnareHd” • When pad controller is turned...


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