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Musikinstrumente - MW12C (286.33 kb)
Musikinstrumente - MW12C (300.07 kb)
Anleitung Zusammenfassung
Mixes can be stored as WAV or AIFF files, which can then be recorded to audio CDs. 1 Launch Cubase AI and open a project file. 2 Click the [Start] button on the Transport Panel. 3 While listening to playback, drag the channel strip level faders up and down to create the desired initial balance, then adjust the overall volume using the bus volume fader. 5 To save the project select [Save] from the [File] menu and enter a file name before actually saving the file. Save your project frequently to insure against losing large amounts of data if a problem occurs. 6 Repeat steps 1 through 5 to record further material on the same track. 7 To record additional material on a different track, select a new track and repeat the record procedure. NOTE You can monitor the sound being recorded and a previously recorded sound simultaneously while recording (MONITOR MIX). Refer to “E 2TR IN/USB” on page 19 for details. Start with the Featured Part You can start working on a mix from almost any part, but it makes the most sense to start with the main instrument or vocal. Set up an initial level for the main part, and then build the rest of the mix around it. For example, if you’re mixing a piano trio with a vocalist, begin by setting the level of the vocal track at around the nominal level, and then gradually add the other instruments. Your choices will also be influenced by the type of music you are working on. If the song is a ballad you might want to add the piano to the mix after the vocal, and then add the bass and drums. If it’s a more rhythmically oriented piece you could add the bass and drums first, and then the piano. Whatever best serves the music is right. MW12CX/MW12C Owner’s Manual Quick Guide Quick Guide Mixer Basics 14 For further details refer to the pdf manual provided with the Cubase AI software. NOTE It’s a good idea to lower the channel fader a bit before adding an effect, since the effect CAUTION can cause an increase in the overall channel level. MW12CX/MW12C Owner’s Manual 4 Drag the pan controls on the top of the channel strips left and right to set the stereo position of each track. Pan Effectively “Panning” creates the illusion of stereo space by changing the relative levels of each track’s signal sent to the left and right speakers. If a signal is sent only to the left speaker, the sound will appear to come from the far left side of the stereo sound field. If it sent with equal level to both left and right speakers our ears tell us the sound is located in the center of the stage. Judicious panning can also help to create cleaner- sounding mixes by spreading the instruments out across the sound stage so that they don’t “get in each other’s way.” There are no hard and fast rules, but the bass and kick drum are usually placed in the center of the mix, as is the lead instrument or vocal. Other instruments should be evenly balanced throughout the sound stage in a well-balanced manner. 5 At this point you can begin to use EQ to refine your mix, and add effects. As an example let’s try adding reverb. Click the [Edit] button ( ) on the left side of the channel strip to open the VST audio channel settings window. Click Inserts 1 and select “Reverb - RoomWorks SE”. 6 Double-click the left locator (starting point) and right locator (ending point) of the Transport panel. Change each highlighted number, and then specify the position of the locator. Bar 7 When the final mix adjustments have been made, go to the [File] menu and select [Export] > [Audio Mixdown]. 8 Enter a file name and select a destination for the file as well as a file type. If you intend to use the file to create an audio CD, select the WAV file type (AIFF on Mac OS X), 16 bit, and 44.1 kHz. 9 Click [Export]. Progress of the mixdown operation will be shown in a progress window. When the progress window closes the mixdown is complete. NOTE Audio files created by mixdown can be directly played back using the Windows Media Player, or iTunes on a Mac computer. Reference MW12CX/MW12C Owner’s Manual 15 Setup DI Foot Switch (YAMAHA FC5) Recorder Synthesizer Microphone CD Player Powered Speakers Powered Monitor Speakers Bass Headphones Guitar Effect Processor Effect Processor (exciter) Powered Monitor Speaker MW12CX Personal Computer Reference MW12CX/MW12C Owner’s Manual Reference 16 Front & Rear Panels The following applies to both the MW12CX and MW12C. In cases where different features need to be described for each model, the MW12CX feature will be described first, followed by the MW12C feature in brackets: MW12CX (MW12C). Channel Control Section 1 MIC Input Jacks (CHs 1 to 4, 5/6, 7/8) These are balanced XLR-type microphone input jacks (1:Ground; 2:Hot; 3:Cold). 2 LINE Input Jacks (CHs 1 to 4) These are balanced TRS phone-jack line inputs (T:Hot; R:Cold; S:Ground). You can connect either balanced or unbalanced phone plugs to these jacks. 3 LINE Input Jacks (CHs 5/6 to 11/12) These are unbalanced phone-jack stereo line inputs. 4 LINE Input Jacks (CHs...
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