Stimmen - 3, Durchschnittliche Bewertung: 3.7
(
)
)
|
Anleitung Zusammenfassung
It effectively integrates an 8 x 2 digital line-level mixer with top-quality Yamaha digital effects. Each and every parameter — from fader positions to effects and EQ settings — is fully programmable. Up to 96 complete system configurations can be stored in internal memory and recalled at the touch of a button for instant "scene” changes. What's more, the DMP11 is MIDI compatible. MIDI program change commands from external equipment can be used to automatically switch scenes, or a MIDI sequence recorder can be used to store mixdown and effects change operations in real time. If 8 inputs aren't enough for your requirements, the DMP11 permits digital cascade ing of 2 or more units. The DMP11 is both a revolutionary production tool and "musical instrument" in its own right. In order to take full advantage of the tremendous potential offered by the DMPlly we urge you to read this operation manual thoroughly, and keep the "OPERATIONS SUMMARY” handy while you are familiarize ing yourself with the DMP11. DMP11 Features • All-digital Signal Processing Analog signals are A/D-converted on entry into the console, and are handled and processed in digital form right up to the D/A stage at the stereo outputs. In addition to providing extraordinary signal processing versatility, this ensures that maximum signal quality is maintained from input to output. • 2 Digital Effects Systems Each DMP11 channel features 2 effect loops that feed a high- performance internal digital multi-effect processor. EFFECTS 1 provides access to 20 different effects including reverb, gate reverb, delay, echo, flange, phasing, tremolo, symphonic, pitch change, etc. Individual parameters controlling each effect may also be programmed. EFFECT 2 feeds a 5-effect internal system. In addition, EFFECT 1 or EFFECT 2 can be assigned to a rear-panel EFFECT SEND jack for external signal processing. • Reliable Multi-function Faders Like all other DMP11 parameters, fader settings can be memorized and recalled as needed. A single set of faders functions for channel level control and effect send level control to both of the DMP11's effect systems. Memorized fader settings can be graphically displayed on the LCD display panel. • Versatile Digital EQ Each DMP11 channel offers a versatile 2-band digital equalizer. Each band permits frequency control, plus or minus 15 dB gain control, Q adjustment over a broad 0.1 - 5.0 range, and peaking, shelving or dynamic mode selection. • Memory The DMP11 features 96 internal memories which can store all console parameters. You can program and store 96 completely different configurations or "scenes," and recall them instantly whenever necessary. • MIDI Control Capability Different memories (scenes) can be selected simply by sending the appropriate MIDI program change number to the DMP11 over a standard MIDI cable. It can even be connected directly to a MIDI sequence recorder for real-time storage of mixing and effect operations. For really complicated operations involving many simultaneous fades, EQ changes, etc., each operation can be individually overdubbed on the sequence recorder. Then you simply play back the sequence as you would with any other MIDI compatible musical instrument, and the entire mixing/signal processing process is recreated in fine detail. • Optional MLA7 8-channel Microphone Amplifier. • SOLO mode for individual channel monitoring. • Full stereo panning control. • Stereo master peak meters. • LCD mode and parameter display. • 7-segment LED memory number display. • Memory protection. 2 CONTENTS PRECAUTIONS ....................................................................4 CONTROL PANEL AND CONNECTIONS ...........................5 SIGNAL FLOW & FUNCTIONAL CONFIGURATION ..........8 SECTION 1: GENERAL OPERATION ...............................10 FADER OPERATION......................................................10 CHANNEL ON BUTTONS .............................................10 PAN................................................................................11 PHASE...........................................................................11 EQUALIZATION ............................................................12 INTERNAL EFFECTS SEND.........................................13 SELECTING AN EFFECT LOOP AND EFFECT......13 SETTING SEND LEVELS TO THE SELECTED EFFECT ......13 SETTING THE RETURN LEVEL FROM THE SELECTED EFFECT .....14 SETTING RETURN BALANCE FROM SEND 1 OR SEND 2 ....14 SELECTING PRE- OR POST-FADER EFFECT SEND .....15 MODIFYING EFFECT PARAMETERS.....................15 EFFECT 1 PROGRAMS & PARAMETERS ..................16 EFFECT 2 PROGRAMS & PARAMETERS ..................20 EXTERNAL EFFECTS...................................................21 SOLO .............................................................................21 MEMORY .......................................................................22 INTERNAL MEMORY .........................