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Fotos und technische Daten Roland KR-11 |
Anleitung Zusammenfassung
Main features . Three instruments in one The KR-11 can be used as piano, organ or “keyboard” (i.e. a synthesizer with automatic accompaniment) – all at the touch of a button. . 270 Tones (sounds) and 136 Styles built-in Support for a wide range of musical genres. You’ll find additional Styles on the enclosed Style disk. . Piano Tones that rely on stereo sampling The Roland technology used ensures that your KR-11 offers some of the finest concert grand piano sounds available on electronic musical instruments. . 64-voice polyphony Up to 64 voices can be played simultaneously. (In most instances your KR-11 is 64-voice polyphonic.) . Simple yet versatile Composer Recording and playback of commercial music data is easy with the KR-11. The comprehensive Composer menu includes: • 16-track Sequencer • Chord Sequencer • Song Edit • Style Composer • Style Converter . GM (General MIDI) and GS compatible • General MIDI System m The General MIDI System is a set of recommendations which seeks to standardize the MIDI support features of sound generating devices. Sound generating devices and musical data (disks) carrying the General MIDI logo conform to General MIDI specifications. This means that whenever you play back music data marked with the General MIDI logo, the musical response will be identical when played on any device also carrying the General MIDI logo. • GS Format g Roland developed the GS Format to standardize the response of sound generators when MIDI is used for the production of music. By using a GS Format sound generating device, you can be assured that you will always hear a faithful, high-quality rendition of any commercially available music data that carries the GS Format logo. The KR-11’s tone generator fully supports both the General MIDI system and GS Format so you can use music data that is designed for either standard. . Reads and writes SMF Music Data The KR-11 is capable of playing Standard MIDI Files such as “SMF Music Data” (720 KB/1.44 MB format 3.5 inch floppy disks). Copyright © 2002 ROLAND EUROPE spa. All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND EUROPE spa. — Contents 1. Important notes. . . . . . . . . . . . . . . . . . . . . . . 2. Panel descriptions . . . . . . . . . . . . . . . . . . . . .7 3. Before using the KR-11 . . . . . . . . . . . . . . . . .9 3.1 Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 3.2 Setting up the music stand . . . . . . . . . . . . . . . . . . . . . . . 9 3.3 Opening and closing the keyboard lid . . . . . . . . . . . . . . 9 3.4 Opening and closing the lid . . . . . . . . . . . . . . . . . . . . . 3.5 Connecting Headphones . . . . . . . . . . . . . . . . . . . . . . . . 10 3.6 Turning the power on/off . . . . . . . . . . . . . . . . . . . . . . . 11 3.7 Adjusting the sound’s volume and brilliance . . . . . . . . 11 3.8 About the pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 3.9 Connecting external amplifiers and other devices. . . . 12 4. Basic operation and display . . . . . . . . . . . .13 5. Overview of the KR-11. . . . . . . . . . . . . . . . .14 5.1 Introduction of the main functions — [DEMO] . . . . . . 14 5.2 Performance functions. . . . . . . . . . . . . . . . . . . . . . . . . . 5.3 Playing back songs on disk . . . . . . . . . . . . . . . . . . . . . . 18 5.4 Pitch Bend and Transpose . . . . . . . . . . . . . . . . . . . . . . . 19 6. Tones and related functions . . . . . . . . . . . .20 6.1 Selecting Tones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Drum sounds and sound effects — [DRUMS/SFX] . . . . . . 20 Adding effects to Tones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Octave Shift: changing the pitch by octaves . . . . . . . . . . . . . 21 6.2 Keyboard modes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 7. Playing with accompaniment (Arranger). . 24 7.1 What is an Arranger?. . . . . . . . . . . . . . . . . . . . . . . . . . . 24 7.2 Selecting Music Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . 7.3 Starting and Stopping Styles. . . . . . . . . . . . . . . . . . . . . 26 7.4 Style tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 7.5 Accompaniment and melody volume balance . . . . . . . 27 7.6 Switching Style arrangements (divisions) . . . . . . . . . . . 28 7.7 Easy fingering – Chord Intelligence . . . . . . . . . . . . . . . 29 7.8 Melody Intelligence . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8. Recording and Playback. . . . . . . . . . . . . . . .31 8.1 Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 8.2 Playing back a Composer song . . . . . . . . . . . . . . . . . . . 33 8.3 Track Mute: Muting specific tracks. . . . . . . . . . . . . . . . 33 8.4 Playing back songs without tempo changes . . . . . . . . 33 8.5 Erasing the Composer song. . . . . . . . . . . . . . . . ...