Stimmen - 3, Durchschnittliche Bewertung: 4.3
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Anleitung Zusammenfassung
Owing to its digitally controlled system, this offers superior pitch stability compared with the VCO (Voltage Controlled Oscillator). The JX-10 has 2 DCO's. Number Parameter Display Data Value Function Programmer A A n r n A no ÍW r; I » J.I L U I IÏIIMU DCO-1 Range -/A T/ r n ~l C r ilLUC DCO-2 Range ¿? ' IJ t i O i u A C ' I CJ This is to change the pitch range of the DCO in exact one octave steps from2' to 16' (2', 4', 8', 16'}. 8' is standard. A P f C_ Ti r~ m a JJ l_ LJ I DCO-1 Waveform DCO-2 Waveform COHÎ _j n VV I 0 J a C7 1 u I__t C n I I o „I LSI u I I h I D T C t y U X -J This is to choose the output waveform of the DCO. 5RUT \ ^ (Saw Tooth) PU!. 5 • Lil {Pulse Wave) SDuH : HJ {Square Wave) 15 : VW {Noise! ■Vr A Tl T) r n A I _! Il L- LJ i DCO-1 Tune Tl r n ~1 il L U C T i i iw C i u f W C DCO-2 Tune n n u u This changes the frequency (pitch) of the DCO, in semi-tones steps. •Variable Range: ±12 (±1 Octave) Note 1 Depending on the position of the Dynamics Range Selector, the tone color alteration differs as shown below. □ tntnuity of Key touching Note 2 Envelops Kay Follow K«V&û»r0 1 II il 1 © H i © il ! OFF:AM Keys have the samB Envelope time. (T):Tha highest Key (?) has the ENV time exactly half length of the lowest Key ®‘s. © :?he Key ® has the ENV lime exactly half length of the lowest Key ©>'s. ©: The Key © has the ENV time exactly half length of the lowest Key iQt's. 33 Number Display * U 1 1 Tl r~ r~t H 1 r~ n -LI L. U 1 L. I" U DCO-1 LFO Depth zn c L_ U Tl r n “1 1 r n ±1 í_ LJ L_ L_ / U DCO-2 LFO Depth A C 1 _l Tl r n A C * / J.» L_ U 1 L. 1 M * DCO-1 Envelope Depth ZD ~i 71 r n -| rz h 1 1 / ÜLUL C iv* Parameter Data Value Function Programmer DCO-2 Envelope Depth When the LFO output is modulating the DCO, this parameter is used to adjust the depth of the modulation. For vibrato effect, select " 5Jf«E" with the LFO Waveform. n n U U When the ENV output is modulating the DCO, this parameter is used to adjust the depth of the modulation. °~F1 0- |T ~l -I 71 r n t__I JJ L. U »/ A* n T) II U JJ Cross Modulation t/ n Tl I I U JJ r h! r ZD JlVL L nrr U I t • SNC 1 :The pitch is determined by DCO-1, and the harmonic contents by DCO-2. The waveform is determined by the DCO-2's synchronization to DCO-1. •StiC 2 : Both SYNC 1 and X MOD work together. •« riCIH. :DC0-1 and DCO-2 affect each other, pitch, harmonic contents, and waveform. •OFF ¡Each DCO-1 and DCO-2 can have different pitch and waveform. ’■ I—i arr • Tl r n ~l JJ L- LJ Cl r T I I hi I i LJIM DCO-2 Fine Tune L m r u \ J n _J u The frequency (pitch) of the DCO-2 can be adjusted with this parameter. •Variable range... ±50 cent n * T) r n 3 1 JJ L_ U Tl \/ tv I O JJ I I W II DCO Dynamics Range n L. When the DCO's pitch is controlled by the ENV, and the amount of the ENV is controlled by Dynamics (Key Touch}, this parameter adjusts the sensitivity of Key Touch. (Note 1) fl r f U I I J .J J <_ Tl r n hñ f~I Tl r ±1 t_ U HUJJL DCO Envelope Mode n u i~t .. 3 .. D U L. This selects the poiarity of the Envelope curve. Normally, /'“■n is used. In V* mode, ADSR pattern will be ail inverted. n - 1 : ENV 1 An u- : : ENV 1 V " - 5 : ENV 2 /S. : ENV 2 V1 34 MIXER This is where the volume balance of the DCO-1 and DCO-2 is controlled. Parameter Data Function Numbei Display Value rtuiji aiuuici 1 1 1 1 IM T i/ Ti r M J. A JJ l_ n A LJ » This adjusts the level of DCO-1. DCO-1 Level 1”} n _i _i LJ 1 1 L_ M T w Ti r 1 t A -If L. n ~l U i_ ( This adjusts the level of DCO-2. DCO-2 Level ) o — □ LJ ~/ 1 _J H/f T t/ r~ h I 1/ n n u u When ENV controls the DCO-2’s level, this sets the 1 I _L C- t V V amount of ENV signal. DCO-2 Envelope Depth L-............. W S' h* T t/ Ti A 1 Ci D When the DC0-2‘s level is controlled by ENV <71 rNAUttC s M J. a JJ i f M r 1 ~l _L /t 1 1 U MU .............. J ~i A I Normally, is used, and in V mode, ADSR pattern will be inverted. DCO-2 Envelope Mode H LJ I 1 ; ENV 1 /X MODE 1 n 1 u - : : ENV 1 V : ENV 2 A% U 2 * 1 .. o U t- u-2 : ENV 2 V-1 VCF (Voltage Controlled Filter) The output signal goes to the Mixer then to the VCF to be filtered. Each VCF lets lower frequency harmonics pass and cuts off the higher ones. In other words, it is a usual low pass filter. By controlling the cutoff point and resonance, the waveform changes, thereby the tone color alters. Parameter Data Function Number Display Value rrogrammer C * _r 1 LJ O C rocn It! 1 1 U U1 li ¿? The HPF {High-Pass Filter} is a filter that passes higher frequency harmonics and cuts off the lower a* MPF High-pass Filter Cutoff Frequency A r n u ones. As you increase the value, cutoff point go...