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Anleitung Zusammenfassung
Hartke 45 Gilpin Avenue Hauppauge, New York 11788.8816 Phone: 1.800.3.SAMSON (1.800.372.6766) Fax: 631.784.2201 Table Of Contents Table Of Contents Acoustic Attack Introduction and Features Acoustic Attack Introduction and Features Congratulations on your purchase of the Acoustic Attack acoustic pre.amp/ direct box by Hartke! The Acoustic Attack is a high quality preamplifier designed specifically for acoustic instruments. The Acoustic Attack is a perfect solution for applications where you need to amplify or record an acoustic guitar, mandolin or even violin. Of course, you players of electric guitars with onboard piezo acoustic pick.ups can really enhance your set up by adding the Acoustic Attack to your arsenal of stomp boxes. The active three band equalizer with tube pre emulation will warm up any amplifier or recording. Plus with the MIX control you can dial.up just the right amount of tone enhancement that matches the personality of your sound. The convenient PAD switch makes the Acoustic Attack compatible with just about any PA system. The Acoustic Attack has extensive input and output connectors including 1/4.inch inputs, balanced XLR Direct Output and 1/4.inch Parallel outputs, providing maximum flexibility for patching in to amps, mixer and recorders. Rest assured, the Acoustic Attack will provide high quality and reliable performance thanks to its solid Hartke build construction. That's why the Acoustic Attack is perfectly at home in the studio or on the road. In fact, the aluminum extrusion and steel chassis ensure solid performance from night.to.night and venue.to venue. Whether you are recording or playing live, the Acoustic Attack by Hartke will give you the sound you’ve been looking for. Acoustic Attack Features • Acoustic Guitar Pre.amp / Direct Box. • Tube Pre Emulation Circuit warms up any amp or recording. • Active 3.Band Equalizer. • Sweepable Mid.Range frequency control with "notch" cut helps reduce feedback. • PAD switch provides clean input for acoustics with Active or Passive pick.ups. • Convenient 1/4.inch and XLR Outputs. • Rugged aluminum extrusion construction. • Three year extended warranty. 2 Acoustic Attack Front Panel Layout Acoustic Attack Front Panel Layout 1 OUTPUT - Control knob used to adjust 6 the overall Output volume. 2 BASS - Control knob used to boost or cut 7 the low frequencies. 3 MID – Used to boost or cut the midrange frequencies. 4 TREBLE - Control knob used to boost or 8 cut the high frequencies. 5 FREQ – Used to adjust the center frequency of the MID control. ON/OFF - Footswitch used to engage the effects. ON/OFF LED – RED LED, which illuminates to indicate that the OUTPUT, BASS, MID, TREBLE and MIX, plus the Tube Pre Emulation functions are engaged. MIX – Control knob used to adjust the blend between the dry signal and effected signal. 3 Acoustic Attack Side Panel Layout .... Acoustic Attack Side Panel Layout .... A Power Inlet – Power inlet for connect-F DIRECT INPUT - Standard 1/4-inch input ing the optional AD006 9 Volt power jack for connecting an additional signal, adapter. like from another effect, that bypasses the processing, but can be mixed with B PHANTOM ON / GROUND LIFT switch -the signal connected to the Acoustic Used to switch between phantom power Attack's INPUT. or battery operation, and/or Ground Lift/ Connect. G INPUT – Standard 1/4-inch input jack for connecting a passive or active Acoustic. C OUTPUT - 1/4-inch jack carrying the line-level output signal, either affected or un-affected, depending on the ON/OFF switch. D PAD switch – Push switch used to cut the level sent to the Direct Output by 20 dB. E DIRECT OUTPUT -XLR balanced output connector carrying the mic-level output signal, either affected or un-affected, depending on the ON/OFF switch. 4 Operating the Acoustic Attack Operating the Acoustic Attack The basic procedure for setting up and using your Acoustic Attack is simple and takes only a few minutes. Remove all packing materials (save them in case of need for future service). Power the Acoustic Attack You can power the Acoustic Attack with a standard 9.volt battery, a standard DC power adapter, or by applying standard 48.volt phantom power. You can use which ever power source is most convenient, however, you should keep in mind that there are, from time.to.time, trade.offs. You may have a well grounded live sound or studio set.up that will not exhibit ground loop problems, but when you are on the road or in other studios you can have ground loops. Because of possible ground loops, which are just a part of live sound and recording, you may want to consider using a battery to keep the grounds from the Acoustic Attack isolated from the grounds of the rest of your gear. You can check the phantom or AC operation with a quick sound check to listen for any buzzing. If there is no buzz you have a well.grounded system. If your hear buzzing, go to battery operation. Hey, life’s a trade off, so is powering your audio gear. ...