Login: When peaks exceed this ceiling, gain is reduced to keep peaks within specified limits. The amount of gain reduction, attack and release times, and the output gain matching are all precise and independent adjustments. This makes the CL-50E and the CL-52E extremely useful for such diverse applications as loudspeaker protection, broadcast limiting or compression, recording, tape-to-disc transfer, special effects, vocal level control, and musical instrument sustain. The two important components of
847 Holt Road Webster, NY 14580-9103 Phone: (716) 872-0010 Toll-Free: (800) 828-6308 Fax: (716) 872-0739 Internet: Gain (dB) Range Clip EQ HPF 6 - 15 In - Out In - Out 285 200 50 100 25 12 (Hz) Range Clip EQ HPF 6 - 15 In - Out In - Out 285 200 50 100 25 12 (Hz) Channel 2 +6 +3 0 -3 -6 -9 -12 -15 -18 -21 VU Output Level +6 +3 0 -3 -6 -9 -12 -15 -18 -21 VU Power GQX Series Model 3102 Stereo Third Octave Graphic Equalizer +15 (+6) +10 +5 0 -5 -10 -15 (-6) Channel 1 +15 (+6) +10 +5 0 -5 -10 -15 (-6
Each output permits you to set your crossover frequencies and may be assigned to any one or a combination of inputs. Additionally, you can program four filters (each of them your choice of parametric, low or high shelf), control delay for time delay adjustments, adjust output gain, reverse polarity and control a compressor/limiter for speaker protection. All this in one rack space with XLR input and output connections. Three Inputs - Six Outputs Extremely Intuitive User Interface Programmable b
Preset names must be 20 characters or less. While working in Protea NE Software, changes to an individual preset can be saved to the ne24.24M using
INC. TABLE OF CONTEMTS Introduction..................................................2 If You Are In A Hurry.....................................2 Mechanical Installation.................................3 Wiring............................................................3 Stereo Tie, Detector Patch, Alternatives for Sound System Installations Controls And Indicators...............................5 Gain, Ratio, Attack Time, Release Time, Output Level, Bypass Switch, Threshold/Gain Reduction
A parametric equalizer gives unrestricted control of all the notes your instrument can produce. The chart on page 20 shows the relationship between the notes you play and the corresponding frequency number. There should be very little guess work in deciding how you want to equalize your instrument once this chart is used. Most musicians are already familiar with the terminology A = 440 Hz. By learning the numbers of other notes, you take the guess work out of knowing where to set the controls on
Each output channel shall include: a routing stage allowing the user to assign the output to any or a combination of input(s); a high pass/ low pass crossover filter stage with selectable slopes of 12, 18, 24 and 48dB per octave using Linkwitz-Riley, Bessel or Butterworth filter configurations; four filter stages configurable to be a parametric filter with a frequency range of 19.7Hz to 21.9KHz, 1/24th octave step and a +15dB boost, -40dB cut, or a 6 or 12dB/octave high or low shelf filter; a de
Crossover paints and response are continu-cus!y adjustable and individual output stages with ^de range gain controls will drive long cable runs and accurately match any power amplifiers. All of our 12dB Electronic Crossovers use state-variable filter circuits lo perform ttie frequency divisions. These filters provide simultaneous low-pass and high‘pass outputs. AH models include inveners on aiiemate outputs to keep everything in phase. A Variable Filter Response control is included for adfustm
Signal LED not lit Make sure the signal source is operating and try another cable. Check position of Volume Pots. Signal LEDs responding to signal level Check the speaker wiring for breaks. Try another speaker and cable. Protect LED is lit Overheating will cause protective muting. Check for proper ventilation. Check the mode indicators on the back panel and make sure the mode selector on the rear panel is in the stereo position. Make sure other equipment in the signal path such as mixers and pre
The KLR-Series is made up of powerful, high-efficiency, lightweight amplifiers incorporating the latest technologies. We are confident that you will be pleased with the high performance, superb sound quality, reliability, and more. About Ashly Ashly Audio was founded in 1974 by a group of recording engineers, concert sound professionals, and electronics designers. The first products were elaborate custom consoles for friends and associates, but business quickly spread to new clients and the busi
